Avid Complete Production Toolkit Specifikace stáhnout pdf (Strana 80)

Chapter 6: Surround Features 75

Multichannel Audio Tracks

Multichannel audio tracks contain an individ-

ual channel for each signal in the track (for ex-

ample, a 5.1 track would have six channels for

left, center, right, left surround, right surround,

and LFE).

Multichannel audio tracks can be:

• Recorded directly into Pro Tools, using multi-

ple microphones or microphone arrays, or

routed to appropriate multichannel Pro Tools

Input paths

• Imported from other Pro Tools sessions

• Edited, processed, and mixed in combination

with mono and stereo tracks

5.1 format audio files and tracks conform to the

Film track layout standard. Regardless of path

assignments in the I/O Setup dialog, all 5.1 for-

mat audio tracks and meters follow the Film

standard track layout:

LCRLsRsLFE

Multichannel audio tracks are not required to

mix in multichannel formats. Mono, stereo, and

all supported track formats can be mixed using

Pro Tools track outputs and sends (see “Multi-

channel Signal Routing” on page 77).

Placing Audio in Multichannel

Tracks

You can drag audio files and regions from Di-

giBase browsers, the Region List, Windows Ex-

plorer, or Mac Finder, or from other tracks, to

place them in multichannel audio tracks.

To do so, the number of channels being dragged

must match the destination track format. For

example, you can only drag a stereo pair or two

mono regions onto a stereo audio track. Simi-

larly, you can only place audio into an LCR track

when you have selected three regions. With 5.1

tracks, you must select six mono files or regions.

5.1 format multichannel audio track

When dragged into a multichannel track,

audio files are placed from top to bottom in

the exact order that they appear in the Re-

gion List or playlist from which they came

(Top to Bottom must be selected for in the

Region List menu > Timeline Drop Order).

For this reason, you may want to rename

audio files before dragging them, so that

they are placed in the preferred order. Re-

name them so that sorting them By Region

Name in the Region List results in the pre-

ferred order. (For example, with a 5.1-for-

mat track, you can rename the audio tracks

so that the arrangement of the tracks corre-

sponds to L, C, R, Ls, Rs, and LFE.)

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Avid Complete Production Toolkit Specifikace Strana 80

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